‘Relaxed or serious, round or angled?’ Charles E. Osgood’s semantic differential is a type of a rating scale and origins in psychology. It uses bipolar adjectives as a basis of valuation. Based on a selection of relevant adjectives we made a rapid analysis of the visual identity of potential new clients and used the parameters to generate individual visualizations.
The ‘glassglobal Compendium’ is a quarterly published periodical that summarizes the different focus areas of the glassglobal community. The reader can look forward to get an essence of the various content of the international platform for the glass industry.
The company finds, invents and realizes efficient and professional solutions in the field of media service and advertising engineering. They optimize the use, effect and costs of communicative devices. In order to clearly and efficiently present the two departments we re-sorted, reworded and visualized the brand.
‘die ungeheure form / the monstrous form’ is a research project, which Moritz started with his diploma thesis. It’s the designation for a form the designer is not able to integrate into his concept of design. The title describes a form which appears to be non-designable. For the designer this form is monstrous. He attempted to fathom the barriers of designability: when is a problem a design problem? For this purpose he developed a 13-step-matrix which sorts design problems in relation to their grade of fuzziness. For every grade he designed a theoretical object. The research will continue on the project website.
‘Republique Sans Papiers’, a state on the water. The refugees who are refused at the borders of Europe live on discarded containerships. This extreme and detailed devised scenario acts as an catalyst for a critical examination of the european refugee policy.